   '''Ishtar''' (pronounced ; Transliteration: D''IŠTAR''; Akkadian: DINGIR INANNA; Sumerian ) is the Assyrian and Babylonian goddess of fertility, love, war, and sex.Wilkinson, p. 24 She is the counterpart to the Sumerian Inanna and to the cognate north-west Semitic goddess Astarte.   ==Characteristics== One type of depiction of Ishtar/Inanna The lion was her symbol (detail of the [[Ishtar Gate)]]  Ishtar was above all associated with sexuality: her cult involved sacred prostitution; her holy city Uruk was called the &quot;town of the sacred courtesans&quot;; and she herself was the &quot;courtesan of the gods&quot;. Ishtar had many lovers; however, as Guirand notes,    Ishtar was the daughter of Sin or Anu. She was particularly worshipped at the Assyrian cities of Nineveh and Arbela (Erbil).  Besides the lions on her gate, her symbol is an eight pointed star.''Gods, Demons, and Symbols of Ancient Mesopotamia: An Illustrated Dictionary'' by Jeremy Black and Anthony Green (1992, ISBN 0-292-70794-0), p. 156, pp. 169–170.  In the Babylonian pantheon, she &quot;was the divine personification of the planet Venus&quot;.Guirand, p. 58  ==Descent into the underworld== One of the most famous mythsJastrow about Ishtar describes her descent to the underworld.    In this myth, Ishtar approaches the gates of the underworld and demands that the gatekeeper open them:  The gatekeeper hurried to tell Ereshkigal, the Queen of the Underworld. Ereshkigal told the gatekeeper to let Ishtar enter, but &quot;according to the ancient decree&quot;.  The gatekeeper lets Ishtar into the underworld, opening one gate at a time. At each gate, Ishtar has to shed one article of clothing. When she finally passes the seventh gate, she is naked. In rage, Ishtar throws herself at Ereshkigal, but Ereshkigal orders her servant Namtar to imprison Ishtar and unleash sixty diseases against her.  After Ishtar descends to the underworld, all sexual activity ceases on earth. The god Papsukal reports the situation to Ea, the king of the gods. Ea creates an intersex creature called Asu-shu-namir and sends him-her to Ereshkigal, telling him-her to invoke &quot;the name of the great gods&quot; against her and to ask for the bag containing the waters of life. Ereshkigal is enraged when she hears Asu-shu-namir's demand, but she has to give him-her the water of life. Asu-shu-namir sprinkles Ishtar with this water, reviving her. Then Ishtar passes back through the seven gates, getting one article of clothing back at each gate, and is fully clothed as she exits the last gate.  Here there is a break in the text of the myth. The text resumes with the following lines:  Formerly, scholarsMackenzie, p. 95–98 believed that the myth of Ishtar's descent took place after the death of Ishtar's lover, Tammuz: they thought Ishtar had gone to the underworld to rescue Tammuz. However, the discovery of a corresponding mythWolkstein and Kramer, p. 52–89 about Inanna, the Sumerian counterpart of Ishtar, has thrown some light on the myth of Ishtar's descent, including its somewhat enigmatic ending lines. According to the Inanna myth, Inanna can only return from the underworld if she sends someone back in her place. Demons go with her to make sure she sends someone back. However, each time Inanna runs into someone, she finds him to be a friend and lets him go free. When she finally reaches her home, she finds her husband Dumuzi (Babylonian Tammuz) seated on his throne, not mourning her at all. In anger, Inanna has the demons take Dumuzi back to the underworld as her replacement. Dumuzi's sister Geshtinanna is grief-stricken and volunteers to spend half the year in the underworld, during which time Dumuzi can go free. The Ishtar myth presumably has a comparable ending, Belili being the Babylonian equivalent of Geshtinanna.Kirk, p. 109  ==Ishtar in the Epic of Gilgamesh== The ''Epic of Gilgamesh'' contains an episode''Gilgamesh'', p. 85–88 involving Ishtar which portrays her as bad-tempered, petulant and spoiled by her father.  She asks the hero Gilgamesh to marry her, but he refuses, citing the fate that has befallen all her many lovers:    Angered by Gilgamesh's refusal, Ishtar goes up to heaven and complains to her father the high god Anu that Gilgamesh has insulted her. She demands that Anu give her the Bull of Heaven. Anu points out that it was her fault for provoking Gilgamesh, but she warns that if he refuses, she will do exactly what she told the gatekeeper of the underworld she would do if he didn't let her in:    Anu gives Ishtar the Bull of Heaven, and Ishtar sends it to attack Gilgamesh and his friend Enkidu. Gilgamesh and Enkidu kill the Bull and offer its heart to the sun-god Shamash.  While Gilgamesh and Enkidu are resting, Ishtar stands upon the walls of the city (which is Uruk) and curses Gilgamesh. Enkidu tears off the Bull's right thigh and throws it in Ishtar's face, saying, &quot;If I could lay my hands on you, it is this I should do to you, and lash your entrails to your side.&quot;''Gilgamesh'', p. 88 Then Ishtar called together &quot;her people, the dancing and singing girls, the prostitutes of the temple, the courtesans,&quot; and had them mourn for the Bull of Heaven.  ==Comparisons with other deities== Like Ishtar, the Greek Aphrodite and Northwestern Semitic Astarte were love goddesses who were &quot;as cruel as they were wayward&quot;.Mackenzie, p. 103 Donald A. Mackenzie, an early popularizer of mythology, draws a parallel between the love goddess Aphrodite and her &quot;dying god&quot; lover AdonisMackenzie, p. 83 on one hand, and the love goddess Ishtar and her &quot;dying god&quot; lover Tammuz on the other. Some scholars have suggested that  Joseph Campbell, a more recent scholar of comparative mythology, equates Ishtar, Inanna, and Aphrodite, and he draws a parallel between the Egyptian goddess Isis who nurses Horus, and the Babylonian goddess Ishtar who nurses the god Tammuz.Campbell, p. 70  